![]() ![]() However, it is slowly evolving into new HDR (High Dynamic Range) profiles like Rec. 709 is a color space used for deliverables, and Film Riot explains that it's “the most common profile that most screens use by default.” This is an aging broadcast standard from the 90s that is still used to make sure that all your devices and screens are showing the same colors for your images and footage. Knowing which color space you are working in, or which color space your camera is recording, is crucial to planning your grade and deliverables.įor example, Rec. You can also utilize things like LUTs and grain to really make your image pop.īut to really talk about color grading, we need to talk about color space. It's all about balance.Ĭolor grading comes next where you can use curves, masks, color wheels, and other precise tools to develop the aesthetic your film needs. Most importantly, this is where you unify the base look of all the shots in your sequence. This may include things like adjusting white balance, equalizing exposure, reducing highlights, increasing the midtones, and applying noise reduction. ![]() But it can understandably be a bit confusing for those just starting.Ĭolor correction should always be your first step to get your footage into a neutral baseline from which to begin your work. Color grading: done second to change the colors for aesthetic reasons.Color correction: done first to correct your image or the color of your footage.Here, I’ve created a detailed list of the differences: For starters, you should know the difference between color grading and color correction. So whether you're just starting or need to go back to basics, here’s everything you need to know about color grading.Ĭolor Grading 101 - Everything You Need to Know The Basic Concepts of Color GradingĪs with any filmmaking (or specifically post-production) process, there are some basic terms and concepts you should know before you dive in. Just ask the guys from Film Riot, who in their latest video said, “Even in the days of black and white, different chemical treatments made it possible to give different atmospheres to the image.”Īnd there’s a lot more to learn from there. Well, think again, my friend, as color grading is truly an OG film skill. Oh, so you think just because films were done in black and white that they didn’t have the need to color grade? Since the earliest days of cinema history, color grading has been an integral part of the filmmaking process… And, wait, was that a scoff I detected? ![]()
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